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A Rounded DIN

FF DIN Round's 'round pieces'. [Detail]

The FontFeed’s ‘A Typeface Much More Than a Rounded DIN’ tells the story of the painstaking construction of FF DIN Round by Albert-Jan Pool. Two words lie at the heart of the typeface’s construction: precision and modularity (two qualities that lie at the heart of FF DIN Round’s appeal).

Generous to a fault, Pool has written a 32 page brochure on the fascinating history of round sans serifs in Germany and the behind-the-scenes development of FF DIN Round, available to download as either a PDF (3.7 MB, and worth every byte…) or via Issuu.

[Via Mr Hoff.]

1280519880 · Christopher Murphy · Follow Us on Twitter

A Dozen Questions for Ms Hische

Jessica Hische [Detail]

Jessica Hische is an illustrator, typographer and designer living in Brooklyn, New York. She shot to internet notoriety through her Daily Drop Cap series, where she continues to share her exquisitely hand-crafted letter forms “for the beautification of blog posts everywhere”.

With a commitment to, and love for, typography and more recently letterpress, her work harks back to a golden age when type was crafted by hand. Her work is often infused by the aesthetics of the nineteen hundred and fifties, when the art of the letterer was last at its height.

As one of the headline acts of the fringe events at this year’s Build Conference in Belfast, we felt it pertinent to find out a little more about her before her visit to our fine city.

We asked Ms Hische a dozen questions.

Daily Drop Cap 'ABC' [Detail]

Where did you learn your craft?

Mostly at Tyler School of Art and in Louise Fili’s office.

Who inspires you?

All of my awesome illustration friends that are way more motivated and talented than me. Many of us have studios in the same building in Greenpoint Brooklyn (The Pencil Factory) and it is endlessly inspiring to be surrounded all the time by talented folks that are also genuinely nice people.

I’m very inspired by the work students are doing now and since I only graduated a few years ago it fills me with fear and excitement to think of what they’ll be capable in a few years.

What are your influences?

Working for Louise was my major influence, but I’m also an avid internet scourer and could look at fancy type and illustration all day on sites like FFFFOUND!, we love typography, and LetterCult. I also find crap television and heavy brunches to be very influential.

Daily Drop Cap 'L' [Detail]

You’re operating somewhere along the ‘Designer-Typographer-Illustrator Continuum’. Where would you place yourself on that continuum and why?

In the past I’d probably have placed myself dead center but I’m much more in between typographer and illustrator now.

I find that, while I love design, typical design projects aren’t as thrilling to me as they were in the past. The design industry is very different to the illustration industry in terms of who you are working for and how you promote your work.

As an illustrator and typographer, I’m generally working with art directors and creative directors, people used to working with artists, so the projects tend to go much more smoothly (or at least predictably). With design work you can be working with someone that has never hired a designer before, so there’s a lot more hand-holding and you have to be very assertive about your role in their lives and theirs in yours.

A great deal of your work has a feeling that it belongs in a different era; is there a decade, or indeed a century, that you would have enjoyed working in?

I think I would love to vacation to a different decade but not necessarily work in one. I think a lot of the opportunities that I had wouldn’t have been present in other decades and there would have been far more hurdles and road blocks along the way.

I would of course have loved to design in the golden era of album covers or to do lettering in the early 20th century when literally everything was hand-lettered, but I’m pretty happy to stay where I am and just be influenced by these rich periods instead.

You’re well known for your beautifully crafted work on the Daily Drop Cap. What’s the people’s favourite and if you had to pick just one letter which would it be and why?

Judging from print sales, the favourite seems to be the C from the second alphabet (with birds and leaves). The ones that seem to get the most love online though (through Tumblr likes and reposts) are the more illustrative letters such as the O made out of an LP or the V made out of a slice of pizza.

If I had to name my favorites (so far), it might be the L from the first alphabet because it reminds me of old story books and the U from the third alphabet.

Daily Drop Cap Business Cards [Detail]

How has the industrial and craft heritage of Brooklyn, where you’re based, affected your outlook on the design process?

I think it hadn’t affected me much until recently since I’ve fallen in love with letterpressing. Letterpress is less of a product of Brooklyn than of Ohio or some of the mid-western states, but because it is so prevalent here now that there are spaces to print at such as The Arm in Williamsburg, I tend to look at new projects with a “will this letterpress well” point of view.

You quite rightly have strong feelings about the question of plagiarism. Did you ever create your letterpress ‘Certificate of Valor’ to send to other designers and illustrators that point out plagiarists to you?

I haven’t yet, but it’s always in the back of my mind. I think in the end it might become some sort of “neighborhood watch” membership badge or something. I’m so thankful for all the internet eagle eyes that keep the plagiarists in check!

Your comprehensive FAQ 1 ensures that writing questions for you is a challenge; we’d appreciate if you’d allow us to plagiarise one. Will you send us high-res images of your work for us to print?

Ha! Isn’t this for online publication?

Steal My Idea: 'Paypal it Forward'

What’s your favourite typeface?

My tastes in typefaces change all the time, but if I had to name a few standards they would be: 1. Almost anything H&FJ produce (Archer, Gotham…); 2. Several of Alejandro Paul’s typefaces (these are great to recommend to people that have no budget for lettering since he and I have some similar script aesthetics); and 3. Engravers gothic set very small.

What’s your favourite plain text editor?

I use TextEdit, but just because it’s free, not because I like it.

What’s your favourite tea?

Jasmine Tea or Earl Gray with Lavender.

1280437980 · Web Standardistas · Follow Us on Twitter

Fontdeck Slab Celebration

Rich web typography
with Fontdeck. [Detail]

Fontdeck has a new front page, celebrating the art of the slab serif, featuring Parachute’s Centro Slab and p.s.type’s Quatro Slab. Heavy.

1280436780 · Christopher Murphy · Follow Us on Twitter

We'd probably survive…

We'd probably survive… [Detail]

Xcv comments:

At the large tech company I work at there is an internal micro-blogging tool. The limit was recently increased from 140 to around 500.

People are still writing concise things. It’s just incredibly refreshing to not have to abbreviate things. And also you can include full links instead of shortened crap.

Dave Winer thinks, “We’d probably survive a 500 character limit.” We wholeheartedly agree.

1280423580 · Christopher Murphy · Follow Us on Twitter

Virb Facelift

V + [Detail]

Virb has been given a brand facelift (To the power of Virb.) courtesy of the talented team at Weightshift. Simple and elegant, we give it a V +.

1280422380 · Christopher Murphy · Follow Us on Twitter

A Spare $2,000?

$2,000 [Detail]

Happen to have a spare $2,000 lying around? You might want to invest in a Collectors’ Set of Jessica Hische’s letterpress printed Daily Drop Cap prints.

Aimed squarely at collectors, the first fifteen of each alphabet are sold as matched sets and hand-selected as “absolute perfect prints”. It gets better, every Complete Set comes with a cake (“for real”).

Tasty.

1280360520 · Christopher Murphy · Follow Us on Twitter

Safari Extensions Gallery

Safari Extensions Gallery [Detail]

Apple releases Safari 5.0.1 and unveils Safari Extensions Gallery.

1280359800 · Christopher Murphy · Follow Us on Twitter

Magic Trackpad

Magic Trackpad [Detail]

Apple answers the question, “Why should notebooks have all the fun?” with the Magic Trackpad, bringing elegantly designed gestural computing to your desktop computer. Click, scroll, swipe, rotate… all in a typically minimal design.

1280358120 · Christopher Murphy · Follow Us on Twitter

Mustache M

M [Detail]

With our well known penchant for facial hair there’s no surprise we appreciate Ms Hische’s latest Daily Drop Cap. Meet the Mustache M.

1279819680 · Christopher Murphy · Follow Us on Twitter

Send To Dropbox

Send To Dropbox [Detail]

Regular readers will know we’re dyed-in-the-wool Dropbox aficionados, relying on the service for seamless file sharing, even when we’re thousands of miles apart. 1, 2

No surprise then to discover that Send To Dropbox - a service that allows files to be emailed to Dropbox - appeals to us considerably. The process is simple: connect with Dropbox, receive a unique email address, and start sending files (which automagically appear in your ‘Attachments’ folder after just a few minutes).

With automatic unzipping, folder organisation and more on the way the service looks perfect.

Though it’s provided free, and there’s no obligation to pay for anything, why not donate a few well-earned dollars to Ralph Holzmann, its creator; after all, his servers run on dollars.

1279225200 · Christopher Murphy · Follow Us on Twitter

@standardistas: Should you have missed it yesterday, we asked Jessica Hische a dozen questions: http://j.mp/mshische